{"id":2653,"date":"2025-02-13T10:26:44","date_gmt":"2025-02-13T09:26:44","guid":{"rendered":"https:\/\/www.mariobuerki.ch\/?post_type=avada_portfolio&p=2653"},"modified":"2025-02-13T10:26:44","modified_gmt":"2025-02-13T09:26:44","slug":"sinfonietta-no-1","status":"publish","type":"avada_portfolio","link":"https:\/\/www.mariobuerki.ch\/en\/portfolio\/sinfonietta-no-1\/","title":{"rendered":"SINFONIETTA NO. 1"},"content":{"rendered":"

Gleich zu Beginn des Werkes werden die zwei der drei Hauptmotive vorgestellt, auf welchen die ganze Komposition beruht: Ein Melodisches, aus Quart und Oktavintervallen, sowie ein rhythmisches, aus zwei Achteln, zwei Sechzehntel und einem Achtel bestehendes. Ab Takt 21 wird dann das dritte Motiv eingef\u00fchrt, ein aus Terzen und kleinen Sekunden aufgebautes, choralartiges Thema. Diese drei Motive entwickeln sich im Laufe der Komposition und bilden so den roten Faden des Werkes.<\/p>\n<\/div>

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